星际迷航：皮卡德 第二季

CBS All Access宣布续订《星际迷航：皮卡德》第二季。

惊艳的她

韩国国民主持人兼顶级演员赵雅罗（吴贤庆饰）表面上风光无比，既事业有成，又是韩国最著名主持人孔正汉（朴成雄饰）的妻子。实际上她的生活一团糟：自己上了年纪难以和年轻女演员竞争，不成才的儿子又遭到退学不得不回国，丈夫十多年来碰也没碰过她，只是和她维持着看似幸福美满的夫妻关系。很快，她想到让一家人重新生活的机会：让丈夫参加总统竞选。然而丈夫误会了新生活的意思，以为妻子愿意离婚，他多年来的秘密爱人也随之浮出水面。而他带回家的爱人，居然是一个男人。丈夫是同性恋，儿子不成器，优雅的女人赵雅罗将要如何继续维持她的风光生活？

白领超人

影片主要描述泰国的白领阶层，刻画他们多样的人生。有欢笑、有泪水、有压力、有追求。男主角由Tik杰西达邦饰演，是名叫Pun的公司市场部主管，生活和工作都一丝不苟，完美认真，绰号“精准先生”；女主角由Bow饰演，是名叫Whai的助理，因妈妈的裙带关系走后门成为Pun的助理，但对办公室工作不感兴趣，自由散漫，让Pun十分头疼。                                                                    公司在临近年关之际，接到韩国总部要求研发

第一夫人

影片讲述的是美国前总统约翰·肯尼迪在1963年11月22日遇刺身亡的前四天时间里，发生在前第一夫人杰奎琳·肯尼迪身上的故事。娜塔莉·波特曼将出演杰奎琳，也就是Jackie。据该片的全球联合出品方和制片方熙颐影业透露，对于主创团队选择娜塔莉·波特曼出演杰奎琳·肯尼迪，业界并不感到惊讶。除了她精湛的演技之外，更是在于她独特的知性气质。

庄园夫人

在这部超搞笑的兄弟喜剧中，过去和现在发生了碰撞，吸毒的懒鬼汉娜(梅兰妮·林斯基饰)被雇来扮演沃兹沃斯夫人(朱迪·格里尔饰)，一位死于1875年在沃兹沃斯庄园旅行的南方美女。汉娜，一团糟，认为她可以假装——直到沃兹沃斯夫人的鬼魂出现!在这部由贾斯汀·朗和瑞安·菲利普联袂主演的搞笑电影中，沃兹沃斯夫人告诉汉娜，是时候改变她狂野的生活方式了——她会一直缠着汉娜直到她改变。

精诚大医

《精诚大医》由河南中医学院郑玉玲院长总策划，并和著名作家张芳共同编剧。河南中医学院有200多名师生参与了影片的拍摄工作。该片以河南中医学院原院长国医大师李振华教授为原型，同时集众多名老中医精湛的医术和高尚的医德于一体；影片以厚重的中医文化底蕴和精彩的艺术形式，为中医药走向世界、让世人更多地了解中医药传统文化作出了贡献。

探长薇拉第五季

　　The indomitable DCI Vera Stanhope returns to face a number of daunting cases. Aided by troubled new recruit DS Aiden Healy (Kenny Doughty), they investigate a deadly blaze at a coastal caravan park, unearth a thirty-year-old mystery in an old mining community, delve into the tragic last months of a young man found floating in a farm slurry pit and uncover a life of secrets and lies when a well-loved family man plummets to his death from a multi-storey car park.                                                                    　　Each enthralling episode is set against the breathtaking Northumberland countryside and is enhanced by the captivating performance of Brenda Blethyn as this shambolic yet brilliant detective.                                                                    　　Inspired by the best selling novels, Vera, created by renowned crime writer Ann Cleeves. The fifth series sees the return of Jon Morrison as D.C Kenny Lockhart, Cush Jumbo as D.C. Bethany Whelan, Kingsley Ben-Adir as pathologist Marcus Summer, Riley Jones as D.C. Mark Edwards and welcomes Lisa Hammond as Intelligence Officer, Helen Milton, the newest recruit to Vera’s team.

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

美丽的错误

70年代，中国南方小镇。十岁的王红旗暑假里为了看电影，找收尸工孤寡老人五一爷借钱。由此五一爷窥见红旗邻家一对孪生好姐妹大真和小真其中一人洗澡的情景。年轻美好的胴体如一束强劲的阳光照亮了五一爷暮色沉沉的心，重燃他对生活的希望。红旗和五一爷偷窥的事实终于败露。被偷看身子的究竟是大真还是小真？大真努力向男朋友证明自己的清白，反而越抹越黑， 非但没有使男朋友相信自己，更与胞妹小真破碎了亲情。男朋友接受不了“大真疯了”的事实，最终弃她而去。然而就在“疯子”的世界里大真孤身抗争。五一爷去收大真的尸体。在承担罪与错后——戳瞎了双眼。

天蚕变之布衣神相

改编自黄鹰之武侠名著，云飞扬（徐少强饰）练就天蚕神功后，虽然跃为江湖上两大高手之一，却厌倦江湖，无心争霸，与爱侣伦宛儿（刘雪华饰）隐居；反之独孤无敌却闭关苦练灭绝魔功。随着二人暂息分争，东瀛甲贺派教主织月苍龙轩却欲称霸中原……

一天하루

因事故而痛失女儿的父亲将这“一天”不断重复，只为能挽救女儿。一天之中有哪些秘密尚待揭开，寻踪觅迹的故事尽在影片《一天》。

神威宝刀

白衣少侠的恶堕史。男主天资聪慧，力战群雄，有幸获得宝刀资格。岂料归途中，师傅武馆遭到浪人踢馆，不幸以心爱的师傅之女为赌注输给了浪人。其后，武馆倒闭，师傅自杀，女主以守丧之名取得一年缓期。男主只得沦落与乞丐为伍。看到一袭白衣的男主与肮脏不堪的乞丐们在一起，有种本子的感觉。几番遭遇后，男主已不复当初。取刀时期已到，铸剑师虽知男主心性已变却仍履行诺言将宝刀交出。此刻，男主为了不让更好的刀出世，毅然杀掉铸剑师。结局，男主持刀与浪人决战，虽胜，但女主已自裁。在女二呼喊声中，男主进行剃度，遁入空门。